Tuesday, May 3, 2011

Relieved from Leave

Hi Friends,

So, today is day 1 back from (a short, but well enjoyed) leave - and I have taken up my post at my everyday-soul-sucking corporate job once more...

A big thanks to The Drummer and The Mamma for making The Muppet and I feel most welcome in their beautiful new home on the South Coast. Love you guys, and miss you terribly!

Another big thanks goes out to Igor. A good friend and follower of this blog, he sent me some tips on keeping my blog current, fresh and intriguing enough to keep you all coming back for more... So, not to let his interest and concern go to waste, I've taken his advice to heart and will be adhering to it in future.

One of the tips I found most useful was one on the regularity of the posts. I've been trying to keep-up with the latest news and info from the world of music - but must admit that I have not been posting as often as I should. As example, I didn't post anything around the anniversary of the death of Kurt Cobain (April 8, 1994). Nor the death of a blues legend, and god-like guitarist, Gary Moore on February 6, 2011.
There is no-one to blame for this, save myself, and I endeavour to have more posts up, more often.

Also, if I may... Please feel free to submit news, happenings, insights and any other relevant tid-bits to me and I will gladly add it to The Lounge Critic for the world to see... (with a credit to your name, of course)

Stay tuned for my take on the Springbok Nude Girls and their dismal performance at U2, and the grim state of the SA rock-scene at the moment.

Thanks again for your continued support...

Keep Rocking

\m/

Friday, April 15, 2011

U2 - 360°, Live in Johannesburg

You’ll excuse me, I’m sure - but to give full disclosure and a deeper understanding of what the entire experience was like to me I’ll have to spend some time beating around the bush before I get to the actual crux of this post [and that crux is not the actual concert].

 It’s Sunday, 13 February 2011 and the big day has arrived. It’s U2 day! And I couldn’t be more excited.

Since the concert was being held at FNB Stadium (or Soccer City if you prefer), Big Concerts pulled out all the stops for this one. Utilising the FULL of infrastructure built and used for the Fifa World Cup, including the Metro Rail system, Bus Rapid Transit, park & rides and in fact, the whole 9 yards.
Now, this being a 3rd world country, it was a welcome surprise to see the mass of people (official attendance of 94,232) being herded without any major hick-ups, and all getting into the stadium on time. Make no mistake, there were hordes of people. But, as far as I could see, everyone was excited, and having a good time. So big-up to Big Concerts and all involved for getting the behind-the-scenes part spot on!

It seems like I say this very often, but I’ll say it again... I’m not the world’s biggest U2 fan, and defiantly not a big enough fan to pay R 2,654 for a Golden Circle ticket. So when I got tickets for the “cheap seats” I was actually quite chuffed! Bear in mind that we had been to Rammstein the Friday, had the Muppet’s birthday celebration the Saturday, and got up early on ‘U2 Day’ so I was quite looking forward to watching the concert from my bird’s eye view, in a plastic, orange seat high-up in the stands.


Inside the Metro Train with all the other whities
Since we were meeting family in Centurion, we decided that we’d board a Metro train at Centurion Station. I’ve never seen so many whities on any form of public transport, much less a train. So out of the ordinary was the sight, that we had onlookers totally dumbstruck. At every station we stopped, the regular commuters were in awe of these (mostly) middle-class, white folk, armed to the teeth with booze of every variety, acting quite rowdy on their trains.

Life saving beer-can holding the door open for some fresh air
The 2½ hour train ride there was quite pleasurable, everyone was excited, and we even took turns smoking outside, between the coaches. We passed through Jo’burg CBD on our way to FNB Stadium, and saw some strange and derelict sites – it’s a different world to the image they present to you about the inner city. And I must admit, I had a moment or two of quite reflection about the privileged position I held to be on my way to a stadium concert as opposed to the utter poverty I witnessed on the ride there...



FNB Stadium
Coming around the corner at Nasrec, the majestic stadium lay before us like a homing beacon, and all avid photographers rushed to the side of the train to forever immortalise that moment on film (or memory stick). Arriving at the train station, I swear you could feel the electricity in the air. I can’t believe anyone there was not excited. That’s one thing I can say about the Pop-enthusiast, in their hordes, they are loyal to the end. There were thousands of people, of every colour and creed, all seemingly bursting at the seams to see the world’s most celebrated band live.

Thousands of people making their way into the stadium...


Inside the "Calabash"
Having arrived at the Soccer City stadium, we started making our way into the stadium area and to our seats. I was dumb-struck, seeing that brobdingnagian structure from the inside for the first time was truly a moment that made me proudly South African. This did not pass by the Muppet either, her comment being along the lines of “It looks like something out of Battlestar Galactica.”




"The Claw" as seen from our seats

Arriving at our seats, the immensity struck us like a low-flying brick! Words cannot describe the feeling of grandeur and insignificance all at the same time... The 40-odd metre high stage, aptly named “The Claw” was standing like a huge mechanical spider above the field – ready to spring to life at any second – most impressive! Even more impressive was the massive line array speaker system. From my seat, I counted 450 separate speakers and subs. Now that’s huge!!! I later read that this is the largest speaker system collection in touring history. [Follow this link for a full write-up about the sound system: http://clairglobal.com/u2/]

The dusk African skyline over FNB Stadium

As light started fading, and scores of people flooded the stadium, my anticipation was reaching breaking-point. Though not my favourite band, I simply couldn’t wait to see what all the fuss in the press was about. I wouldn’t dare say anything bad about the machine that is U2. Even though I despise the politically motivated, 3rd world defending, tax evading, Bono, and can’t even tell you the name of the drummer... [Larry Mullen – thanks to Google] - The Edge truly is a magical guitarist. Thanks to his signature playing style and tone, I have the world’s respect for him.


Amandou & Mariam performing live
There was a roar from the crowd, and as I looked up I saw something happening on the stage. A group, which was totally unfamiliar to me, took up their instruments and continued to play an inaudible din. I was to find out only later that they are called “Amadou & Marriam”, a musical duo from Mali. There is no doubt in my mind that this was Bono himself doing his bit to promote African music - and props to him for doing so. But, why then, not consider a local band with African flavour like Freshly Ground, or even Malaika? Guaranteed to get a better response from the crowd, and guaranteed to strike a heart-string with the locals.


Mind-boggling clock that doesn't tell the time

Drawing ever closer to the start, the analogue clock on the screens caught my eye. Being 100% lucid, and not under the influence of any controlled substances whatsoever, the clock didn’t seem to be counting down correctly. Eventually the dials “fell off” and the concert got underway with an earth-shaking roar of approval from the almost 100,000 strong crowd.
... and suddenly, I got it! I understood the hype, I got why they booked-out FNB Stadium, why every single “entertainment correspondent” from every single TV show, radio station, newspaper and magazine were singing the praises of the 360° Tour!

The concert in full-swing


IT WAS AWE INSPIRING!!!


The band walked on from behind the monolithic stage and utter chaos ensued. The golden circle was ecstatic, and I probably would’ve been too if I could get within spitting distance of Bono [and foot-kissing distance from The Edge]
The set-list was completely predictable, but this did not take away from the spectacle in the slightest. They played all the old hits, as well as some of the songs from the No line on the horizon album (of which the tour is in support of). A very pleasant and unsuspected surprise was when “Bra” Hugh Masakela was called up onstage to play the trumpet on I still haven’t found what I’m looking for. An absolutely mind-blowing performance from the custodian of Jazz in this country. Sunday Bloody Sunday is my favourite U2 single by miles, but the version of Still haven’t found with Hugh gave me that patriotic feeling the residents in Pretoria get when the Bulls win the Curry Cup. To me nothing after that even mattered!


I was quite surprised with the political aspect of the show, which we all knew was inevitable. Not with the content as much as the duration. With the South African struggle still fresh in our minds, Bono had numerous figureheads and subject matter to choose from. Surprisingly enough, they opted to go for a speech by Archbishop Desmond Tutu about the “One” campaign and not for some arcane liberation speech by Nelson ‘Madiba’ Mandela. I’m very happy to report that this part of the concert was short lived, and they soon got on with the real reason we were there – the music.

There were quite a few gimmicks that I picked-up on... Video of a live cross-over to the International Space Station, The Desmond Tutu speech, snap shots of Nelson Mandela, moveable bridges that went over the heads of the golden-circle groupies, more political themed videos, etc.



Stage with big-screen fully extended
 To my mind the saving grace of the show was, not necessarily the actual musical performance, but the stage design, lighting, and (to make special mention) the humongous, movable big screen! At one point, the screen expands, and stretches down about 25 metres from its original position – truly amazing.
I would be neglecting my (self-chosen) duties if I did not say anything about the lighting. Or perhaps, I shouldn’t say anything at all, but leave you with a picture of what I’m referring to...


Huge mirror-ball on top of the stage - blindingly spectacular

All said and done, and with minimal criticism, the show was awesome! Everything surrounding the actual live on-stage performance was pretty good too – and it all came together to give me a goose-bump experience when I think back on it now...


Everything except for the Springbok Nude Girls...

Wednesday, March 23, 2011

Concert Review: 30 Seconds to RAMMSTEIN!!!

Hi Guys,

Thanks for all the kind words about the Blog – and even thanks for all the “so when is the next one coming?” comments. Glad to know you enjoy reading the posts, and still have an appetite for more...

As you all know by now, I had the privilege of attending both, the Rammstein, and U2 concerts in Jo’burg last month. And what an utter privilege it turned out to be.

I’ll relate the tale from the beginning...

It’s Friday, 19 November 2010 and I find myself in the Coca-Cola dome with the entire gang waiting on 30 Seconds to Mars to, what I inevitably knew would happen, bore us to death.


Before any of you make me eat my words, I'll shed some light... I’m not a 30 Seconds fan. I can enjoy one or two of their singles in one sitting before the pre-cursory saliva starts to build up in my mouth and I have to choke back the stomach content that wants to propel itself from my insides with such a force I would be the only Olympic gold medallist in the little-known sport of projectile vomiting.
“Then why were you there?” you may ask. Let it be known that I was under no duress, and attended by my own account. Let’s be honest – they are an internationally acclaimed ‘Rock’-band, and they were performing live in my back yard – how could I not attend?

Tomo Milicevic live on stage

Ultimately, the night ended in The Muppet, Vis and I sitting on our backsides, outside, leisurely enjoying a cigarette together with half the crowd waiting on the other-half to finish watching Jared Leto gyrating and spinning circles on stage, so we could go home.


Jared Leto - or his silhouette at least

Needless to say, I was totally underwhelmed by the show, and by the band - which seems to only consist of Jared. And on this occasion, Jared left the crowd to sing [almost] an entire song by themselves. I’m an avid supporter of crowd involvement, but I definitely don’t want to go to a rock concert to sing karaoke!


Jared performing in his one man band

There was one saving grace however... the words on the big-screens were self explanatory: “Rammstein, 11 February 2011- The Coca-Cola dome”. What a sight! As soon as the announcement appeared there was a rustle amongst the crowd, clearly a spark of interest was born.




The Muppet, JM & The Monger in our "uniforms"

So, we proceeded to hang a flyer of the Rammstein show on the fridge, organised fan-boy T-shirts, and anxiously awaited our chance to procure some tickets. The Muppet was quick out of the blocks and got us 2 Golden Circle tickets before they were sold-out. Time dragged on, and as the date drew closer and closer, the excitement started building. Radio stations were holding interviews, websites were predicting set-lists, and everywhere you look there were competitions for free tickets. The show was sold-out soon after tickets went on sale. Honestly, at first I was surprised by the strong uptake. It seems there are way more metal fans in and around this town than I expected, which was a very pleasant surprise indeed!

Being the keen metal fan that I am, I was surfing websites looking for some footage of other live Rammstein shows. Having seen the notorious “Buck Dich live aus Berlin” video clip, [watch it below] and their reputation for putting on a great show, I was expecting total debauchery on their part...



 

German flag covering the front of the stage just before the show started

... and did they deliver! I have never experienced something so over-the-top in my life! The lights dimmed, and the spotlights highlighted a massive German flag covering the front of the stage. With a huge roar from the crowd, and a bang that was audible from outer space, the flag dropped and the mayhem got underway... There was fire and fireworks and pyrotechnics and big bangs and props and an array of other mind-numbing and ear pounding visual effects to keep the crowd entertained and screaming at the top of their lungs. With their signature, military marching-beat thrown into the mix, one couldn’t help but headbang so hard that the effects on the neck would be felt long into the coming work-week.

Fire-breathing mouth-pieces worn by the band

The set-list was the perfect balance of old and new. I can’t think of one song they left out, and when “Pussy” started, I found myself securely within my element.

I must make special mention of Christian “Flake” Lorenz, their keyboardist. What an entertainer! His quirky and eccentric stage performance was definitely one of the highlights.

Christian “Flake” Lorenz crowd surfing in his dinghy

Flake ‘surfed’ the crowd in a rubber dinghy during the performance of “Haifisch”, while waiving a South African flag. And while performing “Mein Teil” he is ‘cooked’ in a cauldron by a flame-thrower wielding Till Lindemann. Fantastic!


Till Lindemann wielding his gas-guzzling flame thrower live on-stage
 The atmosphere outside the venue after the show was electric – with the general consensus being: “That was the best show ever man, EVER!!!”. I agree 100%. Every single piece of merchandise was sold-out, some fans even went as far as buying shirts off the backs of staff at R500 a shirt. The sound was fantastic, and the feeling of the pyro on your face was like standing in front of the gates of hell (bear in mind, Coca-Cola Dome is an indoor venue). I had never experienced a show that could even remotely compare, until that very Sunday (bloody, Sunday).

A shot of the crowd from where we were standing

Monday, February 7, 2011

Slipknot Part 4 - In conclusion. /or not...

Slipknot - 1995
Aaaaand... Here is THE story...


So there we were, all sitting in the lounge watching the Slipknot: (sic)nesses DVD (which is of their live performance at the Download Festival in 2009) when I asked the question: “Why is Corey not wearing a jump-suite?” Being the geeks that we are, this opened a can of worms... After a debate which took all of 20 minutes, I remember The Monger made the comment: “It’s because they don’t have to anymore”.
The Drummer said it’s because “they’ve matured”. Simple enough answer, but with some far reaching implications...

The Drummers comment has since come to be the consensus; well, in my circle of friends anyway. We all agreed that with the ‘evolution’ of the band, they don’t need to express themselves through costumes anymore. I agree. But only to a certain extent...

To my mind, and judging from quotes by the band, Slipknot was founded on the belief that it’s not about the individuals, but all about the music. A commendable viewpoint on the matter, and one I can easily find reconciliation with. But why then the absence of the ‘uniform’ in later appearances? The masks have evolved, the jump-suites too, Paul and others even took to wearing a neck tie with their costumes. They ARE individuals, who dress similarly (well, used to, at least), and who come together and make it work as a whole.

But my questions still beg to be answered... Why is Corey not in a jump-suite? Where have the super-chaotic on stage performances gone? Where are the days of matching jump-suites, where no one knew who the hell was behind those grotesque masks, when they were called on by numbers, [in essence] when they were true to their roots?
I hope I’m wrong, and I hope I’m proven so, but my explanation is that the individual is slowly starting to creep through...

[I’ve touched on an issue here, and I believe I may be out of my depth, but please allow me to give my opinion...]

Corey Taylor & Joey Jordison
Unmasked
Murderdolls
Whether you concede to this or not, there is no denying that Corey Taylor and Joey Jordison have enjoyed way more lime-light than any of the other members. With Corey heading up a very active Stone Sour, and Joey involved with not only some of the biggest names in Rock & Metal, but also heavily involved in his side-project Murderdolls – is it the dawn of the individual within Slipknot?
Stone Sour


There is some evidence that points in that direction. Drawing near the end of the show, Corey says: “Joey, let’s take them home...” [or something to that effect]. Silly and perhaps even trivial, but he still referred to Jordison (or #2, if you prefer) by his first name. That was unheard of during the time of the 1st and 2nd albums.



Look, I’m no moron, and I’m not clinging to some sort of diluted hope that Slipknot will never change, quite the contrary...
All Hope Is Gone is my favourite Slipknot album. And it is my favourite because it is their most melodic album to date. That’s just what I like most. So, what I’m saying is that I’m a fan of the changes they’ve gone through. But I wonder if they have not perhaps “Sold-Out?”.

Metallica was accused of this with their so-called Black album, in 1991. Any hardcore ‘Tallica fan will tell you that they have an earlier favourite album, mine is Master of Puppets. Did Metallica sell out when they went more main-stream and commercial? What does that mean anyway?

When a band becomes more and more popular, and more and more kids buy and listen to their albums, does that mean they sold out? When they make music videos that are played on MTV, does that mean they’ve sold out? When they take on Napster, to get back what is rightfully theirs, is that selling out? Or does that mean ‘they only in it for the money’? Granted, it’s a very thin line, but to my mind, it’s not wrong. "If you’re good at something, never do it for free!" - The Joker. Consider that it is their livelihood, just like you expect to get paid at the end of the month for sending out a few emails, balancing the books, meeting with clients, or packing bags in a grocery store – shouldn’t their creativity be rewarded? And if that makes them millions and millions of Dollars a year, so what? They’ve created that song, and it would never have existed if it wasn’t for the creative individual who’s face is splashed on your TV during the Bud Light commercial at half-time. (Or on the side of a fried chicken box, if you think more locally).

Point is, Slipknot has mellowed out. There is no doubt about that. They are not as aggressive on stage or in the studio, they have lost the ‘anonymity’ they had to “...place the focus on the music...”. The doubt only exists in why...
Have they become old men, and don’t have the energy anymore? Is it drugs? Is it because they have become almost complacent and over-confident in their position as “Kings-of-the-hill? Who really knows? Maybe I’m over-analyzing? Whatever the reason, I just hope the new album will answer some of these questions before Slipknot falls away into oblivion.



So pray my friends! Pray to whatever deity you fancy, cross your fingers, tie a yellow ribbon around an Oak tree, throw your old shoes over a telephone line, do whatever you can to help get the new album out of the Slipknot studio and onto the shelves.

Amen.

\m/

Thursday, February 3, 2011

The White Stripes - In the end, It doesn't really matter

Hi Guys and Girls,

Just got this link from The Chicken, and in accordnce to her suggestion, I'll add it to the Blog...
Here's the link:http://whitestripes.com/  and the article from the band's homepage that reads as follows...

The White Stripes would like to announce that today, February 2nd, 2011, their band has officially ended and will make no further new recordings or perform live.

The reason is not due to artistic differences or lack of wanting to continue, nor any
health issues as both Meg and Jack are feeling fine and in good health.

It is for a myriad of reasons, but mostly to preserve What is beautiful and special about
the band and have it stay that way.

Meg and Jack want to thank every one of their fans and admirers for the incredible
support they have given throughout the 13 plus years of the White Stripes’ intense and
incredible career.

Third Man Records will continue to put out unreleased live and studio recordings from
The White Stripes in their Vault Subscription record club, as well as through regular
channels.

Both Meg and Jack hope this decision isn’t met with sorrow by their fans but that it is
seen as a positive move done out of respect for the art and music that the band has
created. It is also done with the utmost respect to those fans who’ve shared in those
creations, with their feelings considered greatly.

With that in mind the band have this to say:
“The White Stripes do not belong to Meg and Jack anymore. The White Stripes belong
to you now and you can do with it whatever you want. The beauty of art and music is
that it can last forever if people want it to. Thank you for sharing this experience. Your
involvement will never be lost on us and we are truly grateful.”

Sincerely,

Meg and Jack White

The White Stripes



Since their last full lenght studio album was released in June 2007, and the biggest single from that album was the title track "Icky Thump" - I can't say I expected a break-up, but for some reason, I'm not surprised. Maybe now they'll be worth more "dead" than alive...

Thanks for the tip Chicken.

\m/